Supper with the Shade

Supper with the Shade

If you could have dinner with any fictional character, who would it be?

The Bell Tavern, near Surgeons’ Hall, Old Bailey, London
Sunday, the 24th of July, in the Year of Our Lord 1757

Aye, let a man drink first. This is the Sabbath, sir, and somewhere in the tangle of steeples above this smoke-drowned city there is a parson levelling his finger at a congregation and bidding them rest from their labours. Rest, says he. Rest, in the name of the Almighty. Well, and I say unto him what the Preacher himself declared for all ages: vanity of vanities, saith the Preacher, all is vanity. What profit hath a man of all his labour which he taketh under the sun? I shall tell you what profit I have took of mine. Three shillings and sixpence, paid in coin upon the cutting table, from a surgeon of some reputation in Bow Street on Tuesday last. A cold ‘un, fresh-lifted from the churchyard at St Bride’s, not two nights in the ground when we lifted the lid and drew him from his rest. The gentleman of the knife in Covent Garden was so eager to set his cold iron upon the viscera that he’d not quibble upon the price. That, my friend, is profit. And I make no apology for it.

Now, to your question. Your question, which wants some considerable turning over before I answer it entire. You ask me what character I would choose, from the boards of the theatre or from the leaves of a printed book, to set a chair for at my table. Very well. But hear me first upon the matter of my trade and my philosophy, for I am not a man to be hurried from the table of his own reasoning.

I am a resurrectionist. That is the word they give me, and I own it without shame. The law of this kingdom, as any man of affairs will tell you, holds that a corpse is no man’s property. It cannot be owned. It cannot be bequeathed. It is not the subject of theft, for it is nothing. It is clay. It is the vessel emptied of the humours and of the animating spirit, no more the rightful possession of the bereaved than the husk of last year’s grain belongs to the stalk. I take only the vessel. I leave the shroud in the coffin, precisely as I found it, for the shroud belongs to the living who purchased it, and I am no thief of linen. I am a tradesman. An artisan in the service of the anatomical arts. There are gentlemen not a stone’s throw from this very bench, within Surgeons’ Hall itself, who send their assistants to my door and are grateful for what I bring them, even as they would cross the street rather than acknowledge my acquaintance in the daylight hours. Such is the nature of a necessary commerce.

The Murder Act of five years past gave the surgeons the dissected bodies of hanged murderers, aye, and no doubt they were grateful for the augmentation. But how many murderers does this kingdom hang in a twelve-month, compared to the bodies that the anatomists require? Not a quarter sufficient. Not a tenth. The demand is prodigious, the supply from Tyburn lean and unreliable, and so I provide the remainder with mine own hands, in the dark and in the wet, whilst the press gangs is ranging along the waterfront and taking honest men for the war in France and all its far colonies. They press men into His Majesty’s service without so much as a how-d’ye-do. I merely press them into the service of knowledge. The difference of philosophy between us is not so very great as some would have you think.

The Preacher understood the trade, I am persuaded, though he dressed it in nobler language. There is one event unto the righteous and unto the wicked, he said. To the good and to the clean and to the unclean. One event, which is to say, one end, which is to say, the grave. I have lifted the children of great men and I have lifted the children of poverty from the same cold earth. I have taken from the same churchyard a lady of quality, mistakenly interred in the parish ground instead of the family vault, and a cobbler’s apprentice scarce seventeen years of age, and I tell you, friend, when they lay upon the sacking in the barrow, the flesh itself made no distinction. The Bills of Mortality make them equal in their columns, the great and the mean alike reduced to a numeral in the weekly reckoning of the dead. I am the great leveller’s assistant. Death himself is my employer, and I am merely his journeyman.

The humours depart at the same hour in all men: the choler and the phlegm, the black bile and the blood alike. And what remains is the clay, and the clay is mine. The miasma that hangs above the Fleet Ditch and breeds the fever and the fluxion, it does not stay itself for men of gentle blood. The flesh is grass, as the prophet declared it. I have seen it wither. I have felt the cold of it between my hands in the churchyard at two of the clock in the morning, with the miasma thick about my knees and the dark lanthorn shielded under my coat. There is a philosophy in that cold, friend, that no university has yet seen fit to teach.

But come, then. Come to your question.

Were I to sit at supper with any soul born only of ink and imagination, which would I choose?

I choose the spectral monarch of the boards.

I choose the murdered king in his nightgown. Him that walks the battlements of that famous castle by the cold northern sea, in the stage play they have performed these many years at Drury Lane. I was in the upper gallery not three winters since, pressed close amongst the heat and the smell of it, the night that Mr Garrick played the son, and I will tell you something I have not told another living man: when that armour-clad shade came upon the stage and the footlights threw his shadow large against the painted drop behind him, every soul in that gallery fell silent. Every one. The orange-women ceased their crying. The bucks in the pit left off their chattering and their preening. Because there was something in that figure, in that terrible and royal figure, that reached into the chest of every man present and gave the heart a little squeeze. Here was a monarch slain in his sleep. Poured full of poison in his very ear whilst he lay in repose in his own orchard, and murdered thus most foully, by his own brother, for the vanity of a crown. And now he walks. He cannot lie easy, for his account upon this earth is not yet settled. He comes back through the dark to speak of it. He comes back, I say, and he walks, and he will not lie down.

Now, I ask you: what better company for a resurrectionist?

Were I to arrange the supper here in this very room, I should order two pewter pots of the ordinary ale and a mutton pie with the fat still running, and I should set this armoured king down in that chair there, cold as he no doubt remains, and I should say to him without ceremony: Majesty, I have certain professional enquiries I would lay before you, and I beg your indulgence for a journeyman in your own trade.

For I have been in closer congress with the dead than any man in London, saving perhaps the night-watchman at the charnel house in Clerkenwell, and yet not one of the cold ‘uns I have lifted has ever seen fit to enlighten me upon the fundamental matter of their condition. What is it? What, in very truth, is the state of the dead? Is there weight to the soul, as certain divines have argued? For when a man breathes his last, some physicians have observed a discernible alteration in the heaviness of the body, as though something of substance departs with the spirit and rises free of the flesh. I have held sufficient of them in my arms to believe I have felt something of this, some strange and small alleviation that passes understanding, but I cannot swear to it upon a testament.

And I should ask him, this poisoned sovereign, why does he walk? Is it a mercy or a torment to be as he is? Because in my trade, sir, an unquiet corpse is a considerable inconvenience, and I would wish to understand the mechanism of it. The church teaches us that the dead sleep till the Resurrection. The Preacher himself declares that the dead know not anything, and that there is no work, nor device, nor knowledge, in the grave whither we all go. And yet here is this royal shade, walking most industrious about his battlements and haranguing his unfortunate son at all hours of the night. There is a contradiction somewhere in the fabric of these teachings that I am not learned enough to locate, but I suspect that the murdered king might be.

I think, besides, that he and I should find ourselves of one mind upon the vanity of earthly rank. He was a king, aye, and wears the memory of his murdered dignity upon him most heavy. But he was also a man slain by his own blood for the sake of a crown, which is to say, for the chiefest of all vanities. And I have had a lord’s son upon my shoulder, wrapped in common sacking, and carried him through the midnight streets to the anatomist’s door, and I tell you, friend, there was no difference betwixt him and the cordwainer’s apprentice we lifted the week previous. The press gangs do not enquire a man’s breeding before they seize him for the Seven Years’ War. The miasma in the alleyway does not hold its stinking breath out of respect for gentle blood. We are all of us, in the end, subject to the same lifting.

And I think the murdered king knew it. I think he knew it at the very moment the poison entered his blood and the humours overturned themselves in his body and the dark bile rose up and extinguished him. I think that at that dreadful and final moment, he became, in the eye of God and in the reckoning of the flesh, one of mine.

Which is, if I am pressed upon it, the nearest thing to brotherhood that a man of my vocation might hope to discover.

Pour again, friend. The Sunday is not yet done, and I have a night’s work to plan before the first grey light comes creeping over Ludgate Hill.


Bob Lynn | © 2026 Vox Meditantis. All rights reserved.

3 responses to “Supper with the Shade”

  1. Steven S. Wallace avatar
    Steven S. Wallace

    Dinner with the man who robs graves! I think it is funny, in a way I guess, how the good doctors speak to him but only in secret. They won’t have anything to do with him, lest it be known how they acquire their specimens. Which is a bit of a maddening circumstance and why he would be alone in the ale house amenable to discussing his work with a perfect stranger.

    In his world, when you are dead you are dead. There is no mysticism that invests his viewpoint. Here’s a Prince who was poisoned to death. How does he compare to a lesser-man’s corpse? Well he was murdered, but aside from that, I don’t really know. The bodies are just pieces of meat. He doesn’t consider what if any great role they played. And again, they are dead. Nothing to notice here about what they might think. It’s patently absurd.

    I wonder though, what if they had souls? What if they were conscious of being dug up in the name of science? What would they say?

    But, this character is cold blooded, in a sense at least. “I don’t know,” he might say. “I just dig ‘em up and deliver. That’s all I do. I’m just meating the market.”

    He doesn’t care what became of them. For him, when your number’s up, your number is up.

    What would it be like to share a drink with such a character? You’ve drawn a very good submission. I think it would be like speaking with someone with a foreign accent. I think he would be genuinely puzzled as to why you cared.

    “One time I dug up this gent, I think he was a prince or something…. Anyway, he smelled! Worse than the peasant I got for this other doc. Now, that was a good one. Nicely preserved. Sometimes, you get surprised. Funny how that is.”

    The absence of understanding and the reason we find him interesting is in what he actually says, and the and not how it is said.

    Excellent post! A +++++

    SSW

    Liked by 4 people

    1. Bob Lynn avatar

      Master Steven S. Wallace,

      You sit in some bright, distant age, reading the confessions of a man who trades in the cold clay, and you think you have me measured. You look upon my trade and you laugh at the surgeons, and well you might. You see the hypocrisy of the gentlemen in velvet who take my wares in the dark and wash their hands in the light. It is the natural order of this world, sir. The gentry always require the scavenger to keep their boots clean, but they will not break bread with him for fear of the mud. I do not weep over their delicate consciences; I merely take their coin.

      But then, Master Wallace, you do me a profound disservice. You paint me as a dull, unthinking beast. You say I view the departed only as meat, that I am “cold blooded” and care nothing for the soul or the station they held in life. You would have me grunt like a village idiot in a penny-dreadful, saying, “I just dig ’em up and deliver… I’m just meating the market.” A butcher’s pun, sir, but I see the shape of your jest.

      Yet, did you not read my own words? Did you not hear me ask the spectral monarch about the weight of the spirit when it departs the breast? Did you not hear me ponder the unquiet dead and the architecture of the sepulchre? You mistake my pragmatism for ignorance. I am no unthinking clod. I ponder the vanity of the flesh as deeply as any street preacher, only I do my pondering with a spade in my hand and the miasma of the Fleet Ditch at my knees. I know full well what they were in life, and that is precisely why I know it matters not a whit in death. The humours rot at the very same pace in a lord and a cobbler.

      You ask a curious question: what if the dead were conscious of being dug up in the name of science? What would they say?

      I will tell you, sir. If the clay retained its choler, and the dead kept their wits in the dark, they would not curse the resurrectionist. I merely fetch them from the damp and carry them to the lantern-light. It is the surgeon who parts the flesh, cracks the bone, and makes a spectacle of their ruin. If the dead could speak, they would say that the anatomist is the true ghoul, for I only borrow the vessel, but he destroys it entirely. Or, perhaps, being dead and stripped of all earthly vanity, they would laugh at the absurdity of it all – that a king’s heart is weighed on a brass scale and pickled in a jar just the same as a beggar’s.

      You say you would find it like speaking to a man with a foreign accent, and that I would be puzzled as to why you care. Nay, Mr Wallace. I would not be puzzled. I would merely tell you that you care because you are still living, and the living are terrified of the day they become the clay. You look at me and see a monster of the churchyard because it is easier to fear the man who digs the grave than to fear the grave itself.

      You find me interesting because you think I lack understanding of the mysticism of death. But it is you, Master Wallace, who lacks the understanding of the earth.

      Drink your modern ale, and I shall drink my porter. The Sunday is waning, and the soil of St Bride’s will not turn itself. When your number is up, as you say, I hope for your sake the ground is soft, and that you do not mind the company of the worms.

      Yours from the Bell Tavern,

      Josiah F

      Liked by 1 person

      1. Steven S. Wallace avatar
        Steven S. Wallace

        Outstanding!👏🏻👏🏻👏🏻

        Liked by 1 person

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