The Second Cutting

The Second Cutting

What’s your best tip for budget travel?

Tanganyika, September 1962. A disused railway halt on the Central Line. Two men wait for a train that may not come: one who spent thirty years mapping this country for the Crown, and one who now carries the theodolite in his own name. Between them, fifteen years of shared silence and a bearing neither will concede. Then a boy walks in from the track with a satchel mended in wire, a blistered heel, and five words that stop the conversation dead. A scene about the end of everything, told at walking pace. Bring a warm coat. The light goes out.

Read the original post.

Bob Lynn | © 2026 Vox Meditantis. All rights reserved.

2 responses to “The Second Cutting”

  1. Anna Waldherr avatar

    You draw characters so well. I am in awe of that skill.

    Liked by 1 person

    1. Bob Lynn avatar

      Thank you, Anna. They took a long while to get right. I think the trick – if there is one – is that I build them from what they won’t say. Fenner’s whole scene lives in the sentences he swallows. Daudi’s in the ones he’s learned to dress up politely. And Emmanuel just says what’s there, because he’s thirteen and hasn’t yet learned the art of padding. I’m glad they felt like people in the room with you. That’s the whole job. Thank you for reading.

      Bob

      Liked by 1 person

Leave a Reply